Tamara Tallent

Tamara Tallent, Installation view of The Great Australian Fairytale, Treasury Gardens.

Cardboard, timber, steel, acrylic paint, polypropylene sheets, audio visual animation on digital screen 4 minutes 26 seconds, 2023. Documentation by Kaye Manners.

Tamara Tallent, The Great Australian Fairytale, Treasury Gardens.

Cardboard, audio visual animation on digital screen 4 minutes 26 seconds, 2023. Documentation by Kaye Manners.

Tamara Tallent, Post News, audio video montage on single digital screen, 5 minutes 8 seconds , 2022..

Tamara Tallent, Projections, audio-visual montage on single digital screen, 4 minutes 56 secs, 2022.

Installation view of Mythistórima Series

biro, ink, pencil on paper and audio-visual montage on digital screen,

timber, paint and headphones, 2022.

Documentation by Kenneth Suico.


Heroine, Winter, Triton

biro and pencil on paper 19 x 12.5 cm, 2022

Documentation by Kenneth Suico.

Still of Projections

audio-visual montage, timber, paint, 2022


Still of Post News

audio-visual montage, timber, paint 2022

Waiting

ink on paper, 2010

Embrace

etching, ink, pencil on paper, 2010

Self Portrait

oil on canvas, 2013

Untitled

ink on paper, 2000

Winter

Etching on cotton paper, 2022

The Beguiling Daphne of Daphne

2022

biro, ink, pencil on paper

About


Tamara Tallent is a contemporary artist based in Naarm (Melbourne). Her work is thematically diverse as are the mediums she uses. Her desire to create art comes from a need to express meaning in past events and experiences. Whilst exploring the nature of strong emotion, she remains devoted to aesthetics, always aiming for a sense of beauty.


She is currently working on a series of surrealist works on paper, installations and video art, which draw upon fables and film noir to create a personal mythology. Fairytales, nursery rhymes and fictional tales are also used as allegories to current Australian sociopolitical issues.


"I reimagine intense moments from the past, through film noir, mythology and the fairy-tales that saturated my childhood. By re-staging these scenes, memories become distorted, shifting the perspective between fiction and reality.


Working with etching, ink, biro, puppetry and film montage, I assemble new narratives with strong light and shade, alluding to a theatrical sense of drama, comedy and fantasy. Mother, lover, romantic, rebel and heroine are players in an autobiographical reel. Juxtaposing characters from popular culture with real life events, I explore the tension between these influences and defining one’s own identity."


When not creating art, Tamara teaches puppetry, ceramics, and art, to adults living with a disability

or mental illness. Connections made through collaborative community projects and teaching

are essential components of her ethos and art practice alike.









Education


Graduate Certificate in Visual Art

Victorian College of the Arts

University of Melbourne


Bachelor of Arts (Interior Design)

RMIT (Royal Melbourne Institute of Technology)


Web Site Design & Authoring RMIT


Puppet Manipulation

Polyglot Puppet Theatre


Art, Design & Photography

Brighton Bay Program at Elwood College


Bayside Gallery 2019

Local Artists Group Exhibition

VCA Artspace 2022

Group Exhibition

Track Gallery 2021

Group Exhibition

Artist Residency & Exhibitions

Artspace Gallery

GCVA Group Exhibition

Victorian College of the Arts

Melbourne University 2022

Blindside Contemporary Art

Online collaboration between George Paton Gallery (Melbourne University) and Ramp Gallery (Wintec School of Media Arts, NZ) 2022


Track Gallery

Group Exhibition January 2021

Monash Council


Bayside City Council – Billilla Historic Mansion

Artist in Residence

Puppetry Workshop Facilitator, 2018-2019


Bayside Local Group Exhibition

Bayside Art Gallery 2019


Oak Hill Gallery

Group Exhibition 2013


LUMA

La Trobe University Art Gallery

Group Exhibition 2012


I respect and thank the Wurundjeri and Boon Wurrung people of the Kulin Nation on whose unceded land I live and work.